Miryam always decanted his artistic exploration between figurative and surreal art. As is evident from her exhibitions from 1996 to 2002. Since then, slowly, her work has been incorporating fractures and incompletion as conceptual elements in a search of a consensus between objective reality and emotional reality.
She also uses other elements of the visual language, such as color where her remarkable and careful use of color is subtle but also direct with trenchant contrasts, although always pleasant and well balanced. The other significant element is her approach to texture, present as an alternative between the mundane and the spiritual, something that Miryam continues to introduce in her work.
For those who know the technique of fused glass, color palettes (except for the application of enamels), are limited. Extra-pictorial elements are not always available from houses or brands that produce them since conflict might arise between the coefficients of expansion of each specific glass in use. This forces the artist to operate in a narrow range of elements where only a great burst of inspiration could make room to achieve the meaning and the idea of the final artwork, enough in and of itself.
Exhibition: The TRANSITION from the vortex of non-figurative elements to the figure or the denial of it. Contradiction in a permanent and delicate, yet intense, balance.